Starting with Little Things

A Guide to Writing Poetry in the Classroom

Different from other writing texts, these 46 poetry activities invite writers of all ages to play with language and new ways of seeing the world, while discovering ways to use poetry’s basic elements and building blocks.

Just as painters learn to mix colors and learn about texture, shading and pattern, without the pressure to complete the whole painting right away, this book encourages experimentation in Free Association, Figurative Language, Rewriting Clichés, Musical Language, Patterns of Repetition, Varying Line Lengths, and other tools of the writer’s trade.

Fifteen short chapters begin with “model” poems by adult poets, suggest two or three writing activities based on elements in these models, and conclude with delightful student poems.

“I really like how accessible these exercises are for both teachers to teach and students to learn. … Maybe we can all be poets after all.”

–-Gerri Davis, teacher

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Excerpts from Starting With Little Things

from Chapter 5, “Turning Abstractions into Concrete Images”

Exercise: Images of Feelings

Make a list of emotions on the board: love, hate, jealousy, embarrassment, fear, courage. More. Beginning each sentence with one of these words, write similes or metaphors so that these feelings appear as something you can see, hear, taste, touch or smell. Avoid comparing one feeling to another (love is like happiness). Write a poem about one feeling, using several similes. Or use a different feeling in each sentence. Another possibility of to begin each sentence with “When”; for example, “When (something happened), I was as (happy, sad, angry) as (image).”

Jealous
Jealous is like a planet watching
a shuttle go swiftly past it.
Jealous is like a American bomber looking
at a jet speeding away.
Jealous is like a broken down car
watching a future car in a race.

              -Jeff Lewis, Washington Elementary

    When my goldfish died
    I was as sad as a mixedup
    word trying to get spelled right.

                    -Kerrie,  Awbrey Park Elementary

from Chapter 6, “Self-Image”

Part of our self-image, the picture we have of ourselves, comes from our sense of place: where we were born, where we’ve grown up and explored, places we dream about. We feel comfortable in some places; in others, we don’t. Even within a fairly small place, such as a house, we may identify more with certain rooms, or corners, or objects – the individual parts of a scene. Such subjective feelings are important to our sense of individuality, as well as to our sense of community with people who share our feelings. Learning to recognize ourselves in the world around us is a step toward self-knowledge and maturity that has always been important in literature.

Exercise: Identification

Thinking of your own “roots,” write a poem titled “Born in (California, New York, Chicago, Bend, Redmond).” Begin each sentence with “I am.” Pick out images that come first to mind. Expand sentences; let the reader see as much as possible. If you are the Golden Gate Bridge, what else can you say about yourself? The bridge boats pass under on their way to China? The bridge always choked with traffic? The bridge shining golden in fog? Tell exactly what you see.

Or make a list of different things you might be. If you re an animal, what are you doing? (If a cat, are you sleeping by the fire, chasing a bird, running from a dog, climbing a tree and getting stuck?) If you re an object, where are you – in a kitchen, a bedroom, street, hospital, factory, gutter, cave? What element of nature, time of day, or day of the week? Students should sense a wide variety of possibilities, and should try for different opening words: Yesterday I was, Today I am, Some days I am, Once I was.

 

           Myself

I am a mountain
very snowy and waiting
to be climbed.
I am a big white horse
waiting to be ridden.
And I am the wind blowing
all the seeds.
I am just now being born.

                – John Bard,  Twin Oaks Elementary

I am the clock that is never wound.
I am the fish that is out of the sea.
I am like a frog that is out of order.
I am the sun that is rain.

                – Stuart,  Gilham Elementary

You look at me
I melt like snow in the golden sun
When you talk to me
I’m closed like a door in a jail
But deep inside I want to tell you
all my wishes and fears
You have to realize that I’m like a book
You have to read between the lines.

                  – Yvonne M.,  High School

      Exercise: Parts of the Body

      If your heart were not a heart, what might it be? Could it be a lilypad? A basketball? A basketball bouncing in its dark chamber alone? What about your pomegranate head, your fingers rooted like grass, your knees? If something besides thought were in your head, what would be there? What is in your heart? What are you made of? When we are scientists, we say we are filled with blood; when we are poets we say more: instead of “blood” or “muscles,” you could be made of marbles and chalk dust, shoelaces and popcorn.

      My head is made
      of lead and is my bed for my
      brain. My arm is like an army of
      muscles that have just caught my feelings.

                      –Ronny,  Willakenzie

      My tongue is like a whip.
      It moves so fast
      Sometimes it may hurt
      somebody.
      And sometimes it can make
      somebody proud or happy.
      Sometimes it moves too
      fast.
      My heart is a happy
      leap frog.
      It jumps from and to
      people as if they were lilies.

                          -Kristen,  Crest Drive

                from Chapter 7: “Character Description; Irony”

                Exercise: Direct Address

                Imagine you are telling someone things that might be hard to say out loud. Tell them your sad, secret, irritated or angry feelings about something they’ve done, or you’ve done together. Use figures of speech, if possible. As with the self-portrait exercises, begin each sentence “You are” or “Your Voice,” “Your hair,” and so on. This assignment is doubly fun at special times of the year, and can be turned into birthday cars, Valentines, Mother’s or Father’s Day or even April Fools’ Day cards.

                Dear Mr. Easley,

                You are the wind
                and we are the trees.
                And we will bow
                whatever way you want
                us to. Your are the ocean
                and we are the rivers
                flowing into you. You
                are the earth and we
                are the people.

                                  –Brenda, Fox Hollow

                Exercise: Reverse Compliment: Irony

                Students enjoy saying one thing but meaning another (irony). Write a letter to someone you don’t like. Pretend to pay them a compliment, but then take it away. Imagine you are writing a contemporary greeting card, the kind that is nice on the front and cutting inside. Use the first line of the poem to begin the compliment (“You are as beautiful”), and the second line to take it away (“as a muddy tire”). Avoid the direct insult (“You’re as dumb as …”). Remember to start out with a compliment: “You’re as smart as” (“a rusty computer”). Try writing to a teacher, the dentist, the barber, or even a place or thing.

                To a Teacher

                Your voice is as soft as a nuclear explosion.
                Your assignments are as easy as diving off
                the high dive.
                Your schedule is as easy to follow as a snake.
                You’re as nice as a thunderstorm.
                You’re as neat as a garbage truck.
                Your jokes are a funny as an elephant
                falling on me.

                                  –Nova, Adams

                from Chapter 12: “Musical Language”

                Exercise: Harsh Sounds; Gentle Sounds

                Make lists on the board of the harshest-sounding words students know, and another list of the gentlest. Notice that gentle things may have harsh sounds (“kitten”), and vice versa (“thorn”). Notice which consonants and vowel sounds appear regularly in each list. Write a sentence or two, using at least six harsh words, and not many additional words. Write another sentence from the “gentle” list.

                Harsh Poem

                The hard tight shark bites in the
                dull brick. He swims toward the
                coughing black water.

                                  — Sarah, Crest Drive

                Gentle Words

                The blue and yellow moon melted
                in the reflection of the orange
                and green mirror followed me
                home.

          Nature photographs and written content © Ingrid Wendt, unless otherwise cited.